the poor dancing girl she won't dance again

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Y’all I’m so excited to reveal the cover of my book CINEMA HER WAY: VISIONARY FEMALE DIRECTORS IN THEIR OWN WORDS. I’ve been working on this project for three years now — which includes career-spanning interviews with 19 filmmakers — and we’re so close! It’s out in March, 2025 from Rizzoli Books and you can pre-order it here: https://bit.ly/CinemaHerWay

I’m so tired, but I’m also so hyped to share this beautiful book and the amazing stories these women shared with me with all of you.

Pinned Post cinema her way author female directors directed by women 52 films by women women in film film book
fuckyeahwomenfilmdirectors
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At Land (1944) 

[letterboxd | imdb | kanopy]

Director: Maya Deren

Cinematographers: Alexander Hammid, Hella Heyman

“In my case I have found it necessary, each time, to ignore any of my previous statements. After the first film was completed, when someone asked me to define the principle which it embodied, I answered that the function of film, like that of other art forms, was to create experience—in this case a semi-psychological reality. But the actual creation of the second film caused me to subsequently answer a similar question with an entirely different emphasis. This time, that reality must exploit the capacity of film to manipulate Time and Space. By the end of the third film, I had again shifted the emphasis—insisting this time on a filmically visual integrity, which would create a dramatic necessity of itself, rather than be dependent upon or derive from an underlying dramatic development. Now, on the basis of the fourth, I feel that all the other elements must be retained, but that special attention must be given to the creative possibilities of Time, and that the form as a whole should be ritualistic…”

An Anagram of Ideas on Art, Form and Film by Maya Deren, The Alicat Book Shop Press, chapbook, 1946

Maya Deren At Land